Band Flute

Band Flute

"Music and Moonlight", the inaugural charity benefit concert created by Joy & Care-Giving Foundation Inc. (JCGF) and County Flagler Make It-Take It program was a resounding success. Even with the show running long (nearly two hours), the audience was treated music, dance and sketch comedy that has entertained some of the highest levels possible.

Space does not permit a detailed examination of each show, but many of them stood out. The show began with the Mustang Band tracks (college students) and members of the Matanzas High School Marching Band playing the national anthem after March inspiring drum motor of the stage. Then Mr. Tito Lagona sang the anthem Philippine national. (JCGF builds schools for underprivileged children in the Philippines).

the voice of Mr. lagoon in our ears. It was joined by members of the Filipino audience with beautiful voice and heart.

The band then combined to give us some up-tempo numbers that struck and trapped the audience in the joyful participation. We did not know that this excellent start to the show was only a small indication of what was to follow.

After Flagler School Steel Drum Ensemble entertain us with the theme of the Pink Panther and Funky Town, the delighted audience of comedy musical prowess of Derrick and Justine Tiu. Justin came out with the longest flute I've ever seen (which means it probably does not have a flute), while Derrick sat down at the piano. What followed can not be described as anything but mesmerizing. She played the Hungarian Serenade by V. Joncieres with dexterity beyond her young age. This young woman played at a level that could not be less than professional. Derrick, on keyboards, was elegant, smooth and support, totally free rhythms for dancing notes of the flute.

The public reacted to the end of the room with a noise assessment. Personally, I was amazed by the beauty of what I just heard. Then, to my great astonishment, Derrick gets up, retrieves a violin while Justine sits at the keyboard. Derrick proceeds to regale us with Czardas V. Monti. The play begins sizzles gentle and quiet, and periodically, her fingers flying over the strings, again, with a dexterity beyond his years. When Derrick was finished, I was so stunned I could totally do nothing more than encourage my appreciation with the rest of the audience. After a pleasant comedy skit by Seton Players, Sharon Resnikoff reinforced the stage with his acoustic guitar for two songs. Both were his own compositions - and She Rides the Wind The Rainbow Song. While She Rides the wind was pretty neat piece of writing and performing, the song stood out with Rainbow intense lyricism and guitar worthy of the highest level of professional music. The Rainbow Song is a love song that offers both strength and beauty with work throughout the beautiful guitar interlaced. When this song comes out, you want a copy.

Later in the program, nearly stole Jameson Kuang the star. And if not, only because the high quality of the artists mentioned above and a couple that I have yet to mention. At very least, it was the culmination of a night of highlights. Jameson played Ballade No. 1 in G minor (Chopin). Played is far too low a description. He dreamed of his soul notes and massage them into a piano keyboard which in turn impaired ears with soft music on a level of virtuosity. There is no way a piano can never produce the grace and passion. As her hands moved key length, there was no fight, no vamping, but powerful, intense strokes were produced by hand and heart that has become one with the instrument. This hearing has been privileged to witness passionate evocation Jameson Kuang Chopin. For me, Chopin himself was proud this performance.

One could say that everything was downhill from there, except that Tito Lagona back on the scene, this time with Emelda Dinopolis (Tito Em &). They made a charming duet, weaving their talented voices around and through the song The Prayer. Their harmonies are first rate and their presentation nothing short of professional stage. A young man by the name Sebastian Gutierrez then took the stage behind the piano keyboard and, with his friends, we played blues. I mean real live blues. With a highly competent backing band (bass, drums and guitar), Sebastian worked the keyboard in a good old-time blues, the riff that caught the public by the ears. The shame of it all was that, given the late hour, a significant portion of the audience missed this very good performance.

There were other acts of varying levels of talent. Belly dance is interesting. How they do all that movement is beyond me. Seton players returned for a skit even funnier, but the final with the Mixed Choir Seton supported by a brass section more competent, rocked Palm Coast, a last time with a return of fire Go into all the world. Kermit Allison led the musicians and the choir by a crescendo passion filled frenzy that would have reduced home in large venues.

To sum up, for just $ 25, the show moved beyond its intention to contribute to the joy and delivery Care Foundation to raise funds to build schools in the Philippines. Directed and coordinated by Kermit and Janice Allison, the show went to a level that is no, praying for a wider audience. Next year, I would bet there will not be an empty seat in the amphitheater. I know for sure I'll be there.

Michael Ray King is a freelance writer and author of the book "Fatherhood 101: Bonding Tips for Building Loving Relationships". His author page is located at http://www.michaelrayking.com To purchase copies of his book, go to http://www.clearviewpressinc.com The book is also available at Amazon.com

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