Saxophone Quartet

Saxophone Quartet

Rock Roll first and record

The origins of Rock and Roll

Main article: Origins of rock and roll

Specifically, in the musical and social terms, rock and roll was born in the United States during the late 1940s and early 1950s. Meanwhile, the process active cross-fertilization took place between the country and western music (mostly played and heard by whites), Western swing, and rhythm and blues (R & B), which itself comprised a variety of genres (including, for example, jump blues, Chicago blues, and doo-wop) and was mainly instrumental and heard by blacks. These processes of exchange and mixing were supplied through shared experiences in the Second World War, and the dissemination radio and records. Several documents of this period were the most frequently cited by various authorities as "the record rockoll first. "These include:

Sister Rosetta Tharpe's Strange That happens every day (1944)

"Good Rockin 'Tonight" by Roy Brown (1947), later taken over by Wynonie Harris

"Rock the Joint" is the original version by Jimmy Preston 1949 or version 1952 by Bill Haley

"The Fat Man by Fats Domino, recorded in December 1949

"Rocket 88" is Jackie Brenston is original, recorded March 5, 1951 with Ike Turner and the Kings of Rhythm, or the cover of Bill Haley, later, in 1951

Bill Haley's "Rock Around the Clock" (recorded on April 12, 1954) a cover of Sonny Dae and his Knights of Song 1953

Elvis Presley "That's All Right (Mama)" (recorded July 1954) a cover of Arthur "Big Boy" Crudup song of 1946.

However, there are many other candidates, and many discussions, which together comprised Rock and Roll can be traced back to records much earlier precursor. What the book is the first record Rock'n'Roll by Jim Dawson and Steve Propes processes 50 contenders, Illinois Jacquet's "Blues, Part 2" (1944) Elvis Presley "Heartbreak Hotel" (1956), but failed to a definitive conclusion. In their introduction, the authors argue that since the modern definition of rock 'n' roll was created by the use disc jockey Alan Freed's expression in his revolutionary The Rock and Roll Show on WINS in New York at the end of 1954, and his Rock and Roll Jubilee Bullets at St. Nicholas Arena in January 1955, they chose to judge candidates based on their music Freed highlighted: R & B combos, black vocal groups, honking sax, blues belters, and several white artists play in the faith R & B style (Bill Haley, Elvis Presley). Artists who have appeared in earlier shows included Freed bandleader Buddy Johnson, the Clovers, Fats Domino, Big Joe Turner, the Moonglows, Clyde McPhatter and the Drifters, and the Harptones. It says Dawson and Propes, was the first music is rock 'n' roll called during that short time when the term caught on in America. Because the saxophone tenor horn has been the driving force for these shows and on many issues Freed played, the authors began their 1944 list with a squeal and walk Live performance by Illinois Jacquet with Jazz at the Philharmonic in Los Angeles in mid-1944.

Rolling Stone decree against the king

In 2004, was sparked between fans of Elvis Presley and many in the music world who claimed "That's All Right Mama" was the first stone and roll song and those who feel the applicant must be of good Bill Haley "Rock Around the Clock" two songs celebrating their 50th anniversary this year. Rolling Stone Magazine has taken the controversial decision to unilaterally declare Presley's song the first rock and roll record.

Presley himself would not agree with either viewpoint. In his book Race, Rock and Elvis, Michael T. Bertrand quote on the subject:

Many people seem to think that I started this business, but rock 'n' roll was here long before I came along. Nobody can sing that kind of music like colored people. Let's face it: I can not sing like Fats Domino can. I know. (P. 199)

Chronology candidates like "The First Rock and Roll Record"

The schedule below presents some documents relevant to any discussion on "Rockoll file first." Several songs are cited as having important lyrical content, while others are regarded as providing an important influence melodic, harmonic or rhythmic. These securities include not only hits from the early 1950's when music emerged on the scene national and international, but also various other precursors of what became known as rock and roll.

1910

1916

The first use of the phrase "rocking and rolling" on record seems to have come about Little Wonder # 339, "The Camp Meeting Jubilee "by an unnamed male vocal quartet. It includes the lyrics" We've been rockin 'a' rolling in your arms / Rockin 'and rolling in your arms / In the arms of Moses. "Here the meaning is clearly religious rather than secular.

1920

1922

"My Man Rocks Me (With a Steady Roll) "by Trixie Smith. Although it was played with a backbeat and was one of the first" round the clock "Lyrics, this slow blues minor mode was not the rock and roll means. However, the title and lyrics make this first recording with the secular meaning sexual attached to the words rock and roll.

1927

"Kansas City Blues" by Jim Jackson (registered on October 10, 1927). It was better Sales of blues, suggested that one of the first recordings of dollars seller. Its melody line was re-used and developed by Charlie Patton ("move to Alabama") and Hank Williams ("Move It On Over") before emerging in "Rock Around the Clock" and his lyrical content presaged Leiber and Stoller in Kansas City. It contains the line "It takes a rocking chair to rock, a rubber ball roll, who would later incorporate in his Bill Haley record 1952, "Sundown Boogie".

1928

"It's Tight Like That" by Tampa Red with pianist Georgia Tom (Thomas A. Dorsey) (recorded on October 24, 1928) was a record hokum very successful at first, which combines ribald humor Rural with sophisticated musical technique. With its five Chicago, Tampa Red later went to Chicago to innovate and small group "Bluebird" sound, while Dorsey became the "father of gospel music."

"Pine Top's Boogie Woogie" by Clarence "Pinetop" Smith (Registered on December 29, 1928) was one of the first hit "Boogie Woogie" records, and the first to include references classic rock roll and the girl in the red dress "told" do not move a peg "until it can" shake that thing "and" Mess Around. "Tune Smith himself drift Jimmy Blythe in 1925 recording," Jimmy's Blues ".

1929

Crazy About My Baby "by Blind Roosevelt Graves and his brother Uaroy, a country blues rhythmic accompaniment in small groups. Gayle Dean Wardlow researcher said that" registration roll can be considered the first rock 'n' that. See also the Mississippi Jook Band, 1936.

1930

1932

"Tiger Rag" by the Washboard Rhythm Kings (later known as the Georgia Washboard Stompers in) was one of almost the control performance, with a washboard and rocking energy abnormally high at the beginning of the Great Depression. . It opens with a guitar lick repeated a grade that would be transformed into an agreement in hand by Robert Johnson, T-Bone Walker and others. This is just one of many recordings by bands spasms, jug bands and skiffle groups that have the same nature, informal feel that rock and roll a. After the original recording by the Original Dixieland Jass Band in 1917, "Tiger Rag" became not only a jazz standard, but was also widely covered by dance band and orchestrations March.

1934

The Boswell Sisters recorded their song "Rock and Roll", which refers to "the rolling rocking rhythm of the sea ".

1935

Benny Goodman and his orchestra, with vocalist Helen Ward, recorded the song swing "Get Rhythm in your feet and music in Your Soul "in July 1935, with the line" ... begins to rock and roll, rhythm in your feet and your music in your soul ...."

1936

"Oh Red" by The Harlem Hamfats (recorded on April 18, 1936) was a record the blow by a small group of jazz musicians and blues assembled by J. Mayo Williams for the specific purpose to trade files with success dancing. View at the time (and then by jazz fans) as a novelty group, the format has become very influential, and recording of the group included many sex and drug references.

"Skippy Whippy" and "Hittin 'The Bottle Stomp" by the Mississippi Jook group (recorded July 1936), starring Blind Roosevelt Graves (see 1929), were highly rhythmic instrumental record by a trio of guitar-piano-drum, which, had they been recorded two decades later with a complete amplification would probably have been perceived as rock and roll.

"I think I'll Dust My Broom" (Registered 23 November 1936), "Crossroad Blues" (recorded on November 27, 1936), and other recordings of Robert Johnson, while being not particularly successful at the time, directly influenced the development of Chicago blues and when reprinted in the years 1960, was also strongly influenced later rock musicians.

1937

"Sing, Sing, Sing" by Benny Goodman (written by Louis Prima) also repeated drum breaks by Gene Krupa, whose nature and musical staging high presaged rock and roll drums.

"Rock It For Me "by Ella Fitzgerald, with Chick Webb and his orchestra, was a swing number with the words" ... You do not want to meet my soul, With the rock and roll? "

1938

"Rock Me" by Sister Rosetta Tharpe (recorded on October 31, 1938), wrote a gospel song by Thomas Dorsey as "Hide Me in your bosom," which Tharpe performed in the style of a blues town, with the ecstatic voice and electric guitar. It changed Dorsey "sing" to "balance" and how she rolled the "R" in "Rock Me" led to the expression being taken as a double meaning, interpretable as a religious or sexual. Many stars of rock and roll, including Elvis Presley, Jerry Lee Lewis and Little Richard, quoted his music and style of energy performance as an influence.

"Ida Red" by Bob Wills and the Texas Playboys, a swing band from the West featuring electric guitar by Eldon Shamblin. The melody was recycled again a few years later by Chuck Berry "Maybellene".

"Roll 'Em Pete" by Pete Johnson and Joe Turner (recorded December 30, 1938), an up-tempo boogie woogie beat with clapping back and a ranking of master of the blues to

1939

"Rockin 'Rollin' Mama" by Buddy Jones, a 12-bar blues played in the style of western swing by a white country singer and his band, including Moon Mullican at the piano, with the following lines:

Waves on the ocean, waves in the sea,

But that gal of mine rolls just for me

mama "rollin 'Rockin, I like the way you rock and roll

You ease my troubled mind and bring peace to my weary soul. "

1940

1940

"Early In The Morning New" and "Jivin 'The Blues" (Both recorded on May 17, 1940) by John Lee "Sonny Boy Williamson, two examples of the influential and popular Rhythmic small group of Chicago blues recordings on Bluebird label Lester Melrose, and among the first on which the drums (Fred Williams) were recorded prominently.

"Down the Road a song" by Will Bradley Orchestra, a smooth rocking boogie number, was recorded in August this year with drummer "Eight Beat Mack" Ray McKinley sharing the song with the writer of the song, Don Raye. The song would become a standard rock and roll, recorded in hundreds of rock artists, among whom were Amos Milburn, Chuck Berry, The Rolling Stones Jerry Lee Lewis, Foghat, and Bruce Springsteen. But the original 1940 by Will Bradley holds up the first version of the song really tipping.

The "eight beats" in the nick of McKinley and the popular expression "eight to the bar" in many songs indicate the novelty of the passage of four beats per measure of boogie woogie jazz to eight beats per measure, which is characteristic of rock and roll so far.

"Boogie Woogie Bugle Boy" by The Andrews Sisters contains Several proto-rock and roll elements. This is the best known example of the group, but they also recorded other proto-rock recordings as "Beat Me Daddy Eight to the Bar." It is notable is that these two songs were written by the same man, namely, Don Raye.

1942

"Flying Home" by Lionel Hampton and His Orchestra, tenor sax solo by Illinois Jacquet, refined and recreated live by Arnett Cobb, a model for solo rock and roll since: emotional, honking, long, and not just an instrumental break, but the backbone of the song. The Benny Goodman Sextet was a success People in 1939 with a moderate "chamber music jazz version of the same song with the guitarist Charlie Christian. In 1944, Jacquet recorded a even more "honk" solo on "Blues, Part 2", as presented by Jazz at the Philharmonic ".

"Mean Old World "by T-Bone Walker is a beginning classical guitarist by the extremely influential, often cited as the first song in which he found fully its sound. BB King credits Walker, inspiring him to take the electric guitar, but his influence extends far beyond the blues to jazz and rock and roll course. "Mean Old World" has a lick of guitar to a chord in what would be developed by his fellow Texas bluesman Goree Carter, Elmore James and most famously, Chuck Berry. Walker 1947 "T-Bone Jumps Again" and "T-Bone Shuffle" also show his prowess gathering.

1943

"The town is really jumpin 'at Carnegie Hall, performed by Judy Garland and Jose Iturbi in the film Thousands Cheer is remarkable not only for his arrangement boogie-woogie, but the lyric "when they start to rock" that uses the word "rock" in a purely musical (as opposed to its use more frequent at this time as a double meaning for sex). But Garland was far from being the first to use the term "rocking" in a musical meaning in a movie. She was beaten to it by 5 years because in 1938, Gertrude Niesen singing the song "Rockin 'The Town" in the film, Start Cheering, and the Boswell Sisters five years before Transatlantic Merry-Go-Round with "Rock and Roll" (although it should be noted the song is strictly Boswell on the rocker and rolling waves of the ocean and has no musical or sexual reference).

1944

"Straighten Up and Fly Right" by Nat King Cole Trio, very light on the scale, but a popular hit with the words of an African-American folktale, sounding similar to Bo Diddley, but without the big beat.

"I Wonder" and "Cecil's Boogie 'Cecil Gant, early black ballad performance that has become very People, the first black tenors. Cecil Boogie had many shades of rock n roll.

1945

"The Honeydripper" by Joe Liggins (recorded on April 20, 1945), synthesized piano boogie-woogie, jazz and even folk riff chestnut "Shortnin Bread" in an exciting dance which topped the R & B "race" charts for 18 weeks.

"Guitar Boogie" by Arthur "Guitar Boogie" Smith, boogie woogie first played on electric guitar, and many later imitated by guitarists country boogie.

1946

Louis Jordan "choo Choo Ch'Boogie "(recorded in January 1946) and" Let the Good Times Roll "(and 1945 is" Caldonia ") were very influential in the style and content, and the public through popular black and white. Their producer Milt Gabler went on to produce hits by Bill Haley and Jordan guitarist Carl Hogan, on songs like "Is not That Just Like A Woman" (also 1946) was a direct influence on the guitar style of Chuck Berry.

"House of blue lights" by Freddie Slack and Ella Mae Morse (recorded on February 12, 1946), the first white artists to perform what is now considered such as R & B.

"Boogie Woogie Baby," "Freight Train Boogie" and "Hillbilly Boogie" by The Delmore Brothers, starring harmonica player Wayne Raney recordings were typical up-tempo, heavily influenced by the blues, by country music duo influential, who had the first time in 1931. One of their most influential papers, "Blues Stay Away From Me" was recorded in 1949.

1947

"Move It On Over" by Hank Williams, who used a melody similar to Jim Jackson in 1927 "Kansas City Blues" and was itself used in "Rock Around The Clock".

"Ten Gallon Boogie" and other titles by Pee Wee King and his Golden West Cowboys omen "Rock Around the Clock. "Their voices were standard pop / West, but their arrangements and melodies, with the opening matches of the accordion-related aggression by Bill Haley and the Comets "Johnny Grande played this instrument in the Comets' early work as a group of Western Swing and later playing rock on some movies and touring.

"Oakie Boogie" by Jack Guthrie, a country western swing boogie.

"Good Rocking Tonight" in separate versions of Roy Brown and Wynonie Harris (recorded December 28, 1947), both black artists. Brown's original version is a jump blues music parody gospel, and for the first time fuses the spiritual sense of "rocking" in the secular sense of dance and sex. Harris version is much more upbeat and rhythmic, closer rock and roll, and led to a craze for blues with "rocker" in the title. Later, with passion covered by Elvis Presley and less passionately by Pat Boone.

"We're Gonna Rock, We're Gonna Roll" by Wild Bill Moore (recorded on December 18, 1947), the first commercially successful record sax "honk" with the title song as a background.

"I Can not Be Satisfied" by Muddy Waters, recorded in 1947 and first published in 1948, which contains all the elements of what would soon become a rock n 'roll: a bass / snare / electric guitar blues combo playing with a heavy backbeat. The single was a huge success in the Chicago area. Aristocrat recorded by local record company, it was one of the last singles on the label before it changed its name to Chess Records, which became one of the most important actors in development early rock n 'roll and electric blues.

1948

"Chicken Shack Boogie" by Amos Milburn, a piano-led boogie with references outside drinking hours and antics, which became a huge success.

"Rovin 'Eyes" by Bill Haley and the Four Aces of Western Swing. It is a very overlooked song which is supported by a standard western swing tune called Candy and women. This song sounds as late as Bill Haley. It has all the elements of 50's Rock 'n' Roll. The song was fast enough for the time and almost broke the limits of Western Swing.

1949

"Drinkin 'Wine Spo-Dee-O-Dee" by Stick McGhee and his buddies (recorded on February 14, 1949), the beginning of "party" song later recorded by Jerry Lee Lewis.

Rock And Roll "by Wild Bill Moore, actually recorded the previous year. A boogie rocker where Moore repeats throughout the song "would rock and roll, we roll and rock" and ends the song with the line: "Look mom is going to rock and roll."

Another song was "Rock and Roll Blues" by "Rock and Roll 'Erline Harris, a singer with the lyrics "I'll turn off the lights, we'll rock and roll all night"

"We 're Gonna Rock Tonight mixed ", also known as" Rock the "mixed, the first time in May 1949 by Jimmy Preston, is often considered a prototype rock and roll song. It was covered in 1951 by Jimmy Cavallo and in 1952 by Bill Haley and the Saddlemen, Marshall Lytle, bass player for the Comets, says it has been one of the songs that inspired Alan Freed to coin the term "rock and roll" to refer to the music he plays.

"Saturday Night Fish Fry" by Louis Jordan and his Tympany Five (recorded on August 9, 1949) was a major success and influence. The song tells the story a New Orleans fried fish that ends in a police raid and repeated the refrain "It was rocking."

"The Fat Man by Fats Domino (recorded on December 10, 1949), featuring the trumpeter Fats mouth wah-wah, the first of his 35 Top 40. The back insistent rhythm the rhythm section dominates. The song is based on "Junker's Blues," Willie "Drive'em Down Hall.

"Rock Awhile" by Goree Carter, recorded on the label freedom in Houston, Texas. It opens with an insistent version of T-Bone Walker an agreement electric guitar licks that would later made famous by Chuck Berry "Maybelline."

"Rag Mop" by Johnnie Lee Wills and Deacon Anderson is an air of novelty, the lyrics are simply the way forward. The song is known for his 1950 hit recording by the Ames Brothers.

1950

1950

"Rock Me to Sleep", written by Benny Carter and Paul Vandervoort II and recorded by Helen Humes backed by Orchestra Royal Marshall.

"Birmingham Bounce" by Hardrock Gunter, one of the earliest references to "rockin '" on the dance floor.

"(Gonna Rock and Roll) Gonna Dance All Night" by Hardrock Gunter, released after Birmingham Bounce, indicating the key words "Gonna Rock and Roll, Gonna Dance All Night "may be the first use of the phrase" Rock and Roll "in a purely musical.

Race Hot Rod "made by Arkie Shibley and His Mountain Dew Boys, emphasizing the role of fast cars in teen culture.

"Sixty Minute Man "by dominoes (recorded December 30, 1950). This was the first (and more explicit) big hit R & B to move on the charts and the group itself (with Clyde McPhatter) appeared in many early Alan Freed shows.

1951

"How High The Moon" by Les Paul and Mary Ford (Recorded January 4, 1951), recording first major success in using electronic "gimmicks" as an addition, and one the first with a solo electric guitar.

"Rocket 88" (recorded March 5, 1951) by Jackie Brenston and his Delta Cats (in fact, Ike Turner and the Kings of Rhythm), and covered later in the year by Bill Haley and the Saddlemen. Both versions of this song have been declared permanently first rock and roll by recording various authorities. Brenston has a strong influence on his sound and lyrical content, and was a great success. It reaches number 1 on the Billboard Rhythm and Blues, 9 June 1951 and placed on the Sun Records road to success. Haley version was one of the first white covers a R & B hit, and define the course of his future career. Haley's version had more drive, and singing have improved ..

Boogie Woogie Blues, "recorded in New York in mid-May 1951 by Charlie Graci. Later he would add an" e "to his name and, in 1957, his original version of "Butterfly" would sell over two million copies.

1952

"Hound Dog" by Willie Mae "Big Mama" Thornton (recorded on August 13, 1952), a raucous R & B song recorded with Johnny Otis Band (uncredited for contractual reasons), written by Jerry Leiber and Mike White teenagers Stoller ..

"Rockin 'A' Rollin '." Recorded by Charlie Gracie in New York in 1952.

1953

"Gee" by the crows (recorded on February 10, 1953). It was a great success in 1954 and is credited by rock n roll authority, Jay Warner, as "the first Rock n Roll hit by a rock and roll."

"Crazy Man, Crazy Bill Haley and his Comets (recorded in April 1953) was the first of his recordings to make the Billboard pop chart. It was not a blanket, but a original composition. Haley said he heard the expression in the balls of his high school band played.

"Mess Around" by Ray Charles (registered May 1953), one of his early success. It was written by Ahmet Ertegn with some words of riffs off the classic boogie 1929 woogie, "Pinetop's Boogie Woogie".

1954

"Shake, Rattle and Roll" by Big Joe Turner (recorded on February 15, 1954), later covered by Bill Haley and his Comets. Turner version of the top of the Billboard R & B chart in June 1954. Haley version, which was significantly different in lyric and arrangement, in fact predates the success of "Rock Around the Clock" by several months if it was recorded later. Elvis Presley later 1956 version combined arrangement with lyrics by Haley Turner, but has not been a great success ..

"Sh-Boom" by Agreements (Recorded on March 15, 1954), and the Crew-Cuts. In this case, the latter was a pale imitation. The song is considered a pioneer variant of doo-wop.

"Rock Around the Clock" by Bill Haley and his Comets (recorded on April 12, 1954) was the first issue a rock and roll record. This song is often credited with propelling rock into the mainstream, at least the mainstream among adolescents. At first, he realized lackluster sales, but after the success of two other recordings Haley, said Shake Rattle and Roll "and" Dim, Dim The Lights "was resumed later in the film Blackboard Jungle on a raucous high school, which exposed him to a wider audience .. The song was first recorded in 1953 by Sonny Dae & His Knights end, a group led by the novelty Easter Vennitti whose registration had become a modest success at local Haley recorded his version.

"That's All Right (Mama)" by Elvis Presley (Recorded July 1954), this revival of Arthur Crudup height Elvis was the first single. Its B-side is a rocking version of Bill Monroe bluegrass song "Blue Moon Of Kentucky", itself recognized by various rock singers influence on the music ..

"I Got a Woman" by Ray Charles (recorded in November 1954), composed with the band mate Renald Richard, and the first performed on tour with T-Bone Walker, it was not just Charles first hit really big, but is also widely considered as the first song soul, gospel and R & B. Combining

1955

"Bo Diddley" by Bo Diddley (recorded on March 2, 1955) ..

"Maybellene" by Chuck Berry (recorded on May 21, 1955) ..

"Tutti Frutti" by Little Richard (recorded September 14, 1955) ..

"Blue Suede Shoes" by Carl Perkins (recorded December 19, 1955), including elements of rockabilly music and countries. Later made more famous by Elvis Presley, Perkins original version was an early rock 'standard n' roll ..

References

GF ^ Wald, Shout, Sister, Shout: The Untold Story of Rock-and-Trailblazer Sister Rosetta Tharpe Roll (Beacon Press, 2008).

http://www.hoyhoy.com/dawn_of_rock.htm ^ ab

Abcdefghijklmnopqrstu VWXY ^ Jim Dawson and Steve Propes, What was the first Rock'n'Roll Record, 1992, ISBN 0-571-12939-0

^ Records Small wonder, Books Bubble, Emerson, Victor, Harper, Columbia, Waterson, Berlin & Snyder

Trixie Smith ^

^ Trail of the Hellhound: Jim Jackson

^ Abc Peter J. Silvestre, a left hand like God: a history of boogie woogie piano (1989), ISBN 0-306-80359-3.

Gayle Dean Wardlow ^, Chasin 'That Devil Music, 1998

^ Press release - Roots of Rock and Roll to the Blues Trail Marker with honor

^ Yanow, Scott, "Rhythm Kings Washboard: Biography "

^ Sleevenotes CD Let's Get Drunk and Truck, Fabulous FABCD 253, 2003

Blind Roosevelt Graves and Brother ^

^ "Sister Rosetta Tharpe (19151973) - Encyclopedia of Arkansas

^ Wald, Gayle, Shout, Sister, Shout!, P. 42

^ Wald, Gayle, Shout, Sister, Shout!, P. ix

Bob Wills ^

ABCDEFGHIJKL ^ Nick Tosches, Unsung Heroes of Rock'n'Roll, 1991 ISBN 0-436-53203-4

^ The Straight Dope: Who invented the "rock 'n' roll," the term?

^ Biography: John Lee Williamson

^ The Andrews Sisters Bio

Helen Oakley Dance ^ and BB King Stormy Monday, P. 164

^ Dahl, Bill, T-Bone Walker: Biography

NPR Jazz Profiles ^ of Nat "King" Cole

Delmore Brothers ^ at the Country Hall of Fame Musk

^ Delmore Brothers discography

http://www.hoyhoy.com/ ^

^ Harris Erline

Goree Carter ^

^ Warner, Jay, groups of American singers: A History from 1940 to the Present (2006), Published by Hal Leonard Corporation, page 137

^ Lydon, Michael Ray Charles: Man and Music, p. 95

^ Lydon, Michael Ray Charles: Man and Music, p. 113

^ Ray Charles (inducted 1986), Rock and Roll Hall of Fame & Museum

More

Dawson, Jim; & Propes, Steve (1992). What was the First Rock Roll?. Faber & Faber. ISBN 0-571-12939-0.

See also

Origins of rock and roll

The Rock and Roll Hall of Fame 500 songs that shaped Rock and Roll

Boogie woogie

Jump blues

Western swing

Doo-wop

External Links

When did rock really born? Alexis Petridis by The Guardian, April 16, 2004

http://www.history-of-rock.com/numberonerecord.htm

Rock Before Elvis HoyHoy.com alias Morgan Wright - rock and roll's emergence covering 1948 to 1953

Categories: Lists of songs | Rock musicHidden categories: Items that need cleaning from August 2007 | All pages needing cleanup About the Author

I am China Crafts Suppliers writer, reports some information about mac air valves , grove ball valves.

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Saxophone Quartet in Bb Op.109 $14.8 "By Alexander Glazunov (1865-1936). For Soprano saxophone, Alto saxophone, Tenor saxophone, Baritone saxophone. Advanced. Score only. Published by Belaieff Verlag"

Fur Elise, saxophone quartet $22.95 By Ludwig van Beethoven (1770-1827). Arranged by A. Marshall. For saxophone quartet (SATB). Chamber Music. Grade 1-2. Set of parts. Published by Tierolff Muziekcentrale

Christmas Carols For Sax Quartet - Eb Baritone Saxophone $3 By Various. Arranged by Lloyd Conley. For Eb Baritone saxophone. Saxophone Quartet. Christmas. Grade 3-4. Published by Kendor Music Inc

Christmas Carols For Sax Quartet - 1st Alto Saxophone $3 By Various. Arranged by Lloyd Conley. For 1st alto saxophone. Saxophone Quartet. Christmas. Grade 3-4. Published by Kendor Music Inc

Christmas Carols For Sax Quartet - Bb Tenor Saxophone $3 By Various. Arranged by Lloyd Conley. For Bb tenor saxophone. Saxophone Quartet. Christmas. Grade 3-4. Published by Kendor Music Inc

Christmas Carols For Sax Quartet - 2nd Alto Saxophone $3 By Various. Arranged by Lloyd Conley. For 2nd alto saxophone. Saxophone Quartet. Christmas. Grade 3-4. Published by Kendor Music Inc

Saxophone Symphonette $11.5 "(Saxophone Quartet). By David Bennett (1892-1990). Woodwind quartet. For Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone. Score and part(s). Standard notation. 7 pages. Published by Carl Fischer"

Music for Saxophone Quartet $14.98 For soprano saxophone. Instrumental Solo Part and CD. Published by Music Minus One

Libertango for saxophone quartet $26.95 By Bart Picqueur. For Saxophone ensemble. Level 5. Published by Golden River Music

Rasch R Saxophone Quartet $74.88 Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The Rasch r Saxophone Quartet is a professional ensemble of four saxophonists which performs classical and modern music. Like most saxophone quartets, the RSQ features one player on each of the four most common sizes of saxophone: soprano, alto, tenor, and baritone. The quartet was founded in the United States in 1969 by prominent classical saxophonist Sigurd Rasch r and his daughter, Carina (Karin). Some years later the quartet relocated to Germany and has been based there ever since. The Quartet has appeared at major concert halls in Europe and the United States, including Carnegie Hall and Lincoln Center in New York City, the Kennedy Center in Washington, D.C., Opera Bastille Paris, Royal Festival Hall in London, Philharmonie Cologne, Concertgebouw, Schauspielhaus Berlin, Musikverein Vienna, Tonhalle Z rich Author: Surhone, Lambert M./ Tennoe, Mariam T./ Henssonow, Susan F. Binding Type: Paperback Number of Pages: 80 Publication Date: 2011/02/25 Language: English Dimensions: 5.98 x 9.02 x 0.19 inches

Generations - Florio, Glazunov, Gotkovsky / H2 Saxophone Quartet $32.46 Disc 1:Quartette, for 4 saxophones: AndanteQuartette, for 4 saxophones: AllegroSaxophone Quartet in B flat major, Op. 109: AllegroSaxophone Quartet in B flat major, Op. 109: Canzona varieSaxophone Quartet in B flat major, Op. 109: Canzona varie. Variation ISaxophone Quartet in B flat major, Op. 109: Canzona varie. Variation IISaxophone Quartet in B flat major, Op. 109: Canzona varie. Variation III ( la Schumann)Saxophone Quartet in B flat major, Op. 109: Canzona varie. Variation IV ( la Chopin)Saxophone Quartet in B flat major, Op. 109: Canzona varie. Variation V (Scherzo)Saxophone Quartet in B flat major, Op. 109: FinaleQuartet for 4 saxophones: MisteriosoQuartet for 4 saxophones: LentQuartet for 4 saxophones: LinareQuartet for 4 saxophones: SaltarelleQuartet for 4 saxophones: CantilneQuartet for 4 saxophones: Final

Hal Leonard Quartet Repertoire for Saxophone B Flat Tenor $4.46 Hal Leonard Quartet Repertoire for Saxophone B Flat Tenor

Hal Leonard Quartet Repertoire for Saxophone E Flat Baritone $4.46 Hal Leonard Quartet Repertoire for Saxophone E Flat Baritone

Hal Leonard Quartet Repertoire for Saxophone Second E Flat Alto $4.46 Hal Leonard Quartet Repertoire for Saxophone Second E Flat Alto

Hal Leonard Quartet Repertoire for Saxophone First Eb Alto $4.46 Hal Leonard Quartet Repertoire for Saxophone First Eb Alto